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Scifi and Fantasy Forum: Writer's Discussion: Problems with Writing:
Getting from one exciting moment to another
Getting from one exciting moment to anotherWe have moved to new forum software and posting here is closed!
i'm having a little trouble writing. i see it clearly and vividely in my head the entire book from start to finish. and most of the scenes are really exciting. but i feel like there are lulled portions of the book in between the fight scenes, action sequences, and emotional roller coaster scenes. it's like it drags on and i've tried everything i could think of to spice it up, like adding flashbacks and doing some short dialogs that help to define the characters little by little. most of the story deals with moving from one place to another so should i just fast forward from where they start to where they're going each time my main characters leave one place to head for another or should i invent side quests or complications to add interesting events?
Honestly, that's totally up to you. I've found that even though I think I've got it mapped out from start to finish in my head, it helps to get it onto paper.
Outlining definitely helps me with my stories.
This is really something that you need to figure out on your own. Eadch work will be different and how you work on this aspect of your writing in this particular work will vary.
i'm pretty sure i can say how someone feels but how do you show how they feel. is it something like "His body vibrated with the unpent anger that welled up inside of him, shaking his small frame to the core" or should it go " I'm pissed off!" he shouted into his friends face " which would be better one deals with body language and the other is direct.
Your first example is 'telling' more than showing. If you left it at "his body vibrated, shaking his small frame..", then it would be showing. But I wouldn't be sure if it was anger or some other emotion. If he clenched his fists--something more indicative of anger--that would be better.
Ive had the exact same problem. Im learning how to cope with it myself. First I tried making every part of the plot exciting, it ended up being too cluttered. Next I tried explaining what happened in gaps, and sometimes that works and sometimes it doesnt.
Yeah, you really have to balance downtime with uptime, so to speak. A proper blend of the two will help any and all stories.
thanks you've been a help
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